photo: Nenad Stevanovic

Lan Tung is based on the traditional and unceded territories of the Coast Salish Nations, including the Musqueam, Squamish and Tsleil-waututh Nations.

“Spontaneous composition is a cornerstone of musical creation. Today and throughout history, improvisation is attested in musical traditions the world over. For Lan Tung, an erhu player with a propensity for cross-cultural collaboration, it is the common ground where all her musical influences can intermingle – an innovative approach rooted in historical truth. Refusing to conform to any set notion of what erhu music is or is not, Lan Tung consciously seeks out new influences. By collaborating with musicians from different backgrounds, she explores boundless sonic and formal possibilities while taking inspiration from traditional erhu music. ” – Chan Centre for the Performing Arts 2021 season

 

Lan Tung 董籃  – erhu (Chinese violin) performer & vocalist; composer & producer; artistic director 

Crossing between new music, improvised music, and world music scenes, Taiwanese Canadian Lan Tung is the founder, artistic director, and resident composer of various cross-cultural projects, such as the JUNO nominated Orchid Ensemble, the Sound of Dragon Ensemble, Vancouver Erhu Quartet, and Proliferasian. She is the founder/artistic director of the biennial Sound of Dragon Music Festival that showcases innovative projects and facilitates collaboration. She co-leads Naadaleela Ensemble (fusing Taiwanese, Chinese, Indian, and Persian traditions with jazz and other influences) with Curtis Andrews, collaborates with cellist Marina Hasselberg in Have Bow Will Travel, with Ron Samworth and Neelamjit Dhillon in Birds of Paradox, with Liron Man and Jonathan Bernard in Lalun. Lan performs regularly with the Vancouver Inter-Cultural Orchestra, Sounds Global Ensemble, BC Chinese Music Ensemble, and the NOW Orchestra (improvised music). Lan has toured internationally and appeared as a soloist with Orchestre Metropolitain (Montreal) and Symphony Nova Scotia, and as a soloist/composer with Vancouver Symphony Orchestra, Turning Point Ensemble (Vancouver & Taiwan), Upstream Ensemble (Halifax), Vancouver Inter-Cultural Orchestra (Canada & US), Atlas Ensemble (Amsterdam & Helsinki), and Little Giant Chinese Chamber Orchestra (Taiwan & China).

Lan Tung’s music often experiments with contradictions by fusing materials from different traditions and genres, such as the sense of breath/space from Chinese music, the rhythmic intricacy from Indian influence, the precision in contemporary compositions, the space for interpretation with graphic notations, as well as melodic or textural improvisation. Lan’s compositions and performances are released on numerous CDs, winning International Independent Music Awards and multiple nominations by JUNO, Canadian Independent Music Awards, Canadian Folk Music Awards, and Western Canadian Music Awards.

Lan has worked in various interdisciplinary projects as a composer, performer, and/or producer. Past collaborators included Wen Wei Dance, TomoeArts (dance theatre), Aeriosa (aerial dance, Chimerik (multimedia), Moving Dragon Dance, Mozaico Flamenco Dance, Pangaea Arts (theatre), and Flicker Arts Collaboratory (media arts). In contemporary music, Lan has premiered numerous chamber, solo, orchestral and electroacoustic compositions, working with Canadian composers Tim Brady, John Oliver, Hope Lee, Edward Top, Moshe Denburg, Mark Armanini, Jin Zhang, Janet Danielson, Barry Truax, Dorothy Chang, Steve Chatman, Rui Shi Zhuo, Jordan Nobles, Neil Weisensel, Paul Plimley, Yawen Wang, Farshid Samandari, Michael Vincent, Nova Pon, and Grace Lee.

Lan started to learn the erhu at the age of 10 and went to the Chinese Music Department at Taiwan’s Chinese Cultural University. With the support of the Canada Council for the Arts and the BC Arts Council, she has studied graphic score with Barry Guy in Switzerland, improvisation with Mary Oliver in Amsterdam, Hindustani music with Kala Ramnath in India, Uyghur music with Abdukerim Osman in Xinjiang, and Mongolian horsehead fiddle with Bayar in Hohhot, China; as well as making multiple trips to perform with improvising musicians in Germany, Switzerland, and the Netherlands. At the Vancouver Creative Music Institute (2007-2009), she has studied and performed with Han Bennink (Holland), Barry Guy, Evan Parker, John Butcher (UK), Francois Houle, Paul Plimley…etc.

Lan has been a featured soloist at Musica Nova Festival (Helsinki), National Concert Hall (Taiwan), Festival de Morelia (Mexico), Place des Arts (Montreal), and the Chan Centre for the Performing Arts (Vancouver); and as a leader of her ensembles at Esplanade – Theatre on the Bay (Singapore), the Kennedy Centre for the Performing Arts (DC, USA), National Arts Centre (Ottawa), Festival International Musique Actuelle Victoriaville, Festival Miami, Vancouver International Jazz Festival, Vancouver International Folk Festival, Ding Yi Chinese Chamber Music Festival (Singapore), Ottawa Folk Festival, Ottawa Jazz Festival..etc.