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left to right: Parmela Attariwala, Jun Rong, Lan Tung, Sungyong Lim
photographer: Alistair Eagle

2020年成立的溫哥華二胡四重奏,以二胡與提琴的組合,融合東西方弓弦樂器特長,創造獨特的音響。團員包括來自台灣的董籃及來自北京的戎峻共同擔任二胡演奏,印度裔的帕米拉.阿特瓦拉 (Parmela Attariwala) 擔任中提琴手,以及來自韓國的林成容 (Sungyong Lim) 擔任大提琴手。他們各自專研的領域,涵蓋傳統音樂、古典音樂、現代音樂、即興演奏、世界音樂、到跨界表演藝術,在一起合作各展所長、互助互補,並為樂團帶來多元的活力。

雖然二胡這件樂器有近千年的歷史,傳統弓弦樂團在亞洲還處於起步階段,使用的樂器通常包括二胡、高胡、中胡。溫哥華二胡四重奏的特色,在於它的多元,從音樂家、樂器,到合作的作曲家,貫通不同文化背景。樂團近期演出,包括溫哥華跨文化管弦樂團主辦的世界音樂節、Blueridge 室內音樂節、Sonic Boom 現代音樂節。

Tesserae (2023) 四方彩磚 – Jeffrey Ryan
Harbours: Reunion & Tranquility  (2022) 港灣: 重逢與寧靜 – Moshe Denburg
Cing fois par jour (Five Times A Day) 一日五次 (2023) – Yawen Wang
Night Song VII 夜歌 – Mark Armanini
This Erhu Quartet 二胡四重奏 (2021) – Tim Brady
Confluence (2021) 匯流 – Edward Top
Teasing Golden Snake (2020) – Jin Zhang
September Songs 九月之歌 (2022) – Elizabeth Knudson
Illusion & Reality 幻境與真意 (2022) – Amir Eslami

Created during the pandemic year in 2020, the Vancouver Erhu Quartet explores the sonic possibilities combining the erhu (Chinese violin) with western strings. The quartet consists of Vancouver erhu players Lan Tung and Jun Rong, violinist/violist Parmela Attariwala, and cellist Sungyong Lim. The quartet’s all-Asian members represent Taiwanese, Chinese, Punjabi, and Korean communities. Their interpretation of contemporary works is fused with the sensitivity and sense of breath from Asian traditions. At the same time, the musicians have performed/studied various musical styles to explore innovative approaches. Together they bring expertise in various genres, from traditional, contemporary, classical, avant-garde, to world/cross-cultural music.

Known for its expressive sounds, the erhu is one of the most versatile instruments. The erhu has been employed widely by musicians and composers in different contexts around the world. Although the erhu is a traditional instrument, bowed-string ensembles only began to emerge in Chinese music in recent years. In Asia, they are made up of instruments from the erhu family – erhu, gaohu, and zhonghu, in various sizes ranging from quartet to larger ensembles. The Vancouver Erhu Quartet takes advantage of Canada’s multicultural environment to explore the combination of  eastern and western bowed strings, as well as diverse influences from collaborating composers. The ensemble’s repertoire includes original works by Jin Zhang, Edward Top, Tim Brady, Jeffrey Ryan, Yawen Wang, Moshe Denburg, Elizabeth Knudson, Mark Armanini, and Amir Eslami. The Vancouver Erhu Quartet’s unique instrumentation provides a new vehicle for artistic expression on the Canadian music scene. The ensemble has performed at the 2022 Sonic Boom Festival and the Vancouver Inter-Cultural Orchestra’s 2022 Global Soundscape Festival.

Jun Rong 戎峻 – erhu
Jun has appeared at many concerts, festivals, recordings, and CBC radio broadcast. She is a member of Vancouver Inter-Cultural Orchestra and Silk Road Music Ensemble. She performs in a duo with harpist Lani Krantz. Jun was a guest soloist with the Victoria Symphony, Calgary Symphony, and Vancouver Symphony Orchestra, as well as the internationally renowned Vega String Quartet. Jun has released a number of CDs, including one featuring the master works of Tian-hua Liu, the most important Chinese composer for erhu music in the 20th century. Jun teaches the erhu at the Capilano University. After graduating from the China Music Academy in Beijing, Jun joined the China Opera & Dance Orchestra before making Vancouver her new home.

Lan Tung 董籃 – erhu
Artistic director of Orchid Ensemble, Sound of Dragon Society, and Proliferasian, Lan has appeared as a soloist/composer with Orchestre Metropolitain (Montreal), Vancouver Symphony Orchestra, Symphony Nova Scotia, Turning Point Ensemble, Upstream Ensemble (Halifax), Atlas Ensemble (Amsterdam & Helsinki), and Little Giant Chinese Chamber Orchestra (Taipei). As a producer/performer/composer, Lan has collaborated with musicians, dancers, and media artists from different cultures. After studying at Taiwan’s Chinese Cultural University, Lan has traveled around the world to study Hindustani music with Kala Ramnath, improvisation with Mary Oliver, graphic score with Barry Guy, Uyghur music with Abdukerim Osman, and Mongolian Horsehead fiddle with Bayar. At the Vancouver Creative Music Institute (2007-2009), she studied/improvised with Han Bennink (Holland), Barry Guy, Evan Parker, John Butcher (UK), Francois Houle, Paul Plimley…etc. Lan has won an International Independent Music Awards and multiple nominations by the JUNO Awards, Canadian Independent Music Awards, Canadian Folk Music Awards, and Western Canadian Music Awards.

Parmela Attariwala – viola
Violinist Parmela Attariwala interweaves life as a performer-creator, academic, and music educator. Parmela trained formally in violin performance at Indiana University and in Bern, Switzerland, and studied ethnomusicology at the School of Oriental and African Studies (UK) and the University of Toronto (Ph.D.). Her creative work explores the liminal space between musical genres, artistic disciplines, and identities; often using improvisation as a point of departure. She has recorded three Attar Project albums featuring works for violin and tabla. Attariwala has also collaborated extensively with choreographers (bharata-natyam, butoh and contact) as composer and movement artist. Parmela’s recent creative output includes multi-authored comprovisations, sonic memorials based on end-of-life bhakti poetry, and collaborations with performance artists Peter Morin and Ayumi Goto. She is co-composer (with Ian Cusson) of the opera-in-progress Namwayut (Calgary Opera) and has contributed to the Esker Foundation’s permanent collection in response to works by visual artists Jeffrey Gibson and Nep Sidhu. Parmela’s ongoing research and advocacy focus on equity, identity and ethics in Canadian music and education.

Sungyong Lim 林成容 – cello
Sungyong graduated with honors from the renowned Yewon School and the Seoul School of the Arts before entering the Korea National University of Arts. Later he earned a VorDiplom, a Diplom (same as Bachelor, Master Degree), a konzertexamen’s (The “Konzertexmen” is highest degree available at music university in Germany) in cello performance from the Detmold Musik Hochschule. Sungyong graduated at the top of his class, with a comprehensive performance repertoire and with considerable teaching experience. Sungyong is a member of the Borealis String Quartet, who received the honor of “Distinguished Fellow of BC” for their applauded lectures presented there as visiting scholars at Green College@ UBC. Sungyong’s passion for teaching and education is of paramount importance. In Vancouver, he has coached countless students in schools, given masterclasses, and worked with the school orchestras. On tour, he has taught and been in residence at many universities and given master classes worldwide. Sungyong plays on a 1843 Enrico Ceruti made in Cremona.